Steve Reich: Phases, Patterns and Tapes
Bob Reich was created in New You are able to on Oct 1936 and is one of the revolutionary composers of United states simple music along with La S5620 Young, Terry Riley and John p Cup. His execute has affected many composers, performers and music manufacturers. His music often features a stable beat and the duplicating of a relatively little bit of melodic content. Some of his performs have been remixed by digital performers.
After having analyzed music and structure, Reich proved helpful with the San Francisco Record Music Center, a team established in 1962 to study and execute with tape music, with Terry Riley and Pauline Oliveros among others. Reich was also engaged with the elite of Riley's execute "In C", and recommended the use of the 8th observe beat, which is now conventional in activities of this item.
Reich used tape circles to make phasing styles. His beginning structure "It's Going to Rain" (1965) used a fragment of a sermon by a road preacher with several tape circles moving out of stage with one another. "Come out" (1966) used a verbal term on two programs initially conducted together, going out of synchronize, then breaking into four comments, then eight, until the terms become unintelligible, staying just the stroking and tonal styles.
In 1967 Bob Reich converted this strategy from documented tape to performance with "Piano Phase", a execute for two pianos with only six pitch, duplicating two melodic terms, initially together, then at a a little bit different speed to progressively move out of stage with each other, until the two areas line up again, but one 16th observe apart. The second player then carries on the past pace. This pattern of boosting up and then securing in carries on throughout the item several times. "Violin Phase", also released in 1967, was designed on a similar way, but here Reich presented what he called causing patterns: the mesh of several moved areas, all enjoying the same design, makes new styles, taking the audience to an aural experience where he chooses what he wants to listen to each moment.
"Pendulum Music" was consisting in 1968 and improved in 1973. This item is caused by the procedure of three or more mic moving returning and forth as pendulums, revoked above the sound system by a wire. Reviews shades are created by a mic approaching a presenter, and different measures of wire move at different rates of speed, generating phasing feedback shades.
"Four Organs" (1970) was created for four digital body areas and maraca, as a procedure of enhancement of an 11th note which improves in length from an 8th observe at the beginning to 200 surpasses at the end. First some notices are continual after the note, then some notices predict, until all the shades sound almost in series.
"Drumming" (1970-71), for drums collection with women comments and piccolo, was consisting by Reich after a visit to Ghana where he discovered from the expert percussionist Gideon Alorwoyie. This execute brings together the phasing strategy with stroking discount rates (substituting surpasses for rests) and stroking designs (substituting places for beats), and causing styles can also be observed due to the mixture of the phased styles.
"Clapping Music" (1972) was already released for two performers, one clapping a basic beat, a 12 eighth-note long term, all the time, and the other clapping the same design but moving by one eight observe every 12 cafes, until both gamers are returning together after 144 cafes.
In "Six Pianos" (1973), we can find different melodic terms conducted together with the same stroking design, then some terms are moved two surpasses out of stage, and different styles progressively reduce in and out throughout the item. Some decades later Reich consisting a difference for marimbas, "Six Marimbas" (1986).
"Music for Hammer Equipment, Voices and Organ" (1973) profits to the enhancement procedure of recurring note cadences of body and comments performing vowel appears to be, over a design of marimbas and glockenspiels.
Increasing the number of instruments and performers led to harmonically better items in "Music for 18 Musicians" (1974-76), "Music for a Large Ensemble" (1978) and "Octet" (1979). These performs often show the enhancement of harmonies and tunes of bigger outfits over a blinking observe, growing in sound effects and harmonic activity. "Octet" was later rescored as "Eight Lines" (1983), including a series quartet to make the performance easier.
"Tehillim" ("Psalms", 1981), obtained for comments, post, gusts of wind and drums, differences with his past performs, using official counterpoint and efficient balance.
Other appropriate performs from these decades consist of "Desert Music" (1983) for band and refrain, "Sextet" (1984) for 4 percussionists and 2 keyboardists, and "Electric Counterpoint" (1987) for instrument and tape. The first documenting of "Electric Counterpoint" was conducted by Pat Metheny, and later it has been conducted by Radiohead.
Reich created use of documented conversation again in the award-winning item "Different Trains" (1988), for series quartet and tape, and later in "City Life" (1994), which uses digital samplers among the orchestral instruments, enjoying documented conversation and appears to be from the roads of New You are able to, like car horns, door jams, air braking system, car alarm systems and others. These performs exchange tuning from documented conversation to important tune, with conversation examples often more than doubled with instruments. "Different Trains" was initially conducted by Kronos Quartet.
Reich created two musical show partnerships with his spouse, it clip specialist Beryl Korot, making the music for her movie operas "The Cave" (1993) and "Three Tales" (2002).
Reich's music has progressively progressed through the decades from the beginning simple strategy to more melodic improvements, appropriate for broader viewers. Newest popular performs consist of "You Are - Variations" (2004), for comments and collection, and "Double Sextet" (2007), obtained for two sextets of flute, clarinet, instrument, instrument, vibraphone and violin, where the two pianos mesh and make the effect of continuous eighth-note notes. This item won this year's Pulitzer Prize for Music.
The item "2x5" (2008) is just like "Sextet", but for stone instruments. It is obtained for five performers and pre-recorded tape, or two similar stone quintets: 2 drum places, 2 pianos, 4 instruments and 2 fish instruments.
"Radio Rewrite" (2012) was motivated by two Radiohead music, "Jigsaw Dropping into Place" and "Everything in Its Right Place". It is obtained for clarinet, flute, two violins, viola, instrument, two vibraphones, two pianos and power fish instrument.
The music of Bob Reich has motivated performs by Björk, Bob Bowie, Mark Eno, Scott Oldfield and Discussing Leads among others, and many have remixed his execute. Reich released a book about his viewpoint and appearance in music, "Writings About Music" (1974), later modified and re-edited as "Writings On Music" (2002).
